Author Interview: Jenny Harper

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Hello Jenny! It is nice to have you here with us. Now I know you are a retired journalist and a businesswoman. How did writing happen to you?

Hi Sucheta, thank you for hosting me today. Like many authors, I have been writing all my life. My mother must have noticed some kind of gift when I was a child, because she bought me a correspondence course, How To Be A Writer. But my love of creative writing was unexpectedly stifled when I chose to do a degree in English Literature – I could never be a Tolstoy or a George Eliot, so why even try? It took me a very long time to understand that not everyone wants to read such novels, and that I might find a ‘voice’ that today’s readers would enjoy.

You live in Scotland. Could you give us some insights on life in Scotland and the reading habits of the Scottish people?

Scotland is part of the United Kingdom, that also includes England, Wales and Northern Ireland. The population is around 5 million (compared to 60 million in England), and the land mass is almost as big as England, so the country is much less densely populated. There are reasons for this, mainly terrain and climate.

There are two large cities in Scotland, Edinburgh (the capital, where I live) and Glasgow (bigger, lively, but less historic), and six smaller ones. All are rich in history, with some fabulous buildings. The central belt is highly populated, but the rural areas can be quite desolate, especially as you travel further north (away from England!). Here, the sceneryis rugged and life can be difficult. Tourism and fishing are important, especially in the north west, while agriculture is easier in the east and further south. The scenery is amazing, particularly in the west Highlands and the islands (there are almost 800 islands off the coast). The climate is temperate, particularly in the south. In reality, this means that summers are mild (seldom hot) and winters also much milder than, say central Europe or Canada or America, where the land masses are huge – the sea that surrounds us has a mitigating effect. However, the wind can be very strong! In general, it’s a pleasant climate, with fresh and clean air.

I imagine that reading habits must be as varied as anywhere in the world. There is a proud tradition of Scottish writing – one that probably found its earliest popular voice in Sir Walter Scott’s tales of derring do. I’ve visited his house, a fabulous baronial mansion in the Scottish Borders called Abbotsford. It’s impossible not to admire his work ethic, and the amount of historical research he put in to his novels. You couldn’t just Google facts back then! He had to send off for books or borrow them, often from distant friends, then wait for days or months while they made their slow journey to his remote home. Nowadays a genre called Tartan Noir– crime fiction set in Scotland – is extremely popular. Ian Rankin is probably the best-selling novelist in this genre, though there are other notables such as Denise Mina and Val McDermid. Alexander McCall Smith’s gentle novels are hugely popular all over the world too. He has been kind enough to offer me a cover quote for my latest novel, People We Love!

You have written 15 books so far. Which one was your toughest job and which was a breeze? And why?

I started my working life as a non-fiction editor, for William Collins in Glasgow. When I turned freelance, they offered me the chance to research and write a book based on old postcards they had once published. This led to further offers, and before I knew it I had written three books on Scotland and Scottish life. Back then, I used to write longhand while a neighbour typed my work up for me! (I was working at Collins, however, when the very first computer-typeset book was published, amid huge excitement!).

The most challenging book was a history of childbirth called With Child: Birth Through the Ages. I co-wrote it with a friend, Therese Duriez, and we were so naïve we didn’t realize that we’d have to research the whole of the history of medicine before we could even start! Thankfully, it was very well received, and you can still find the odd copy on Amazon.

The easiest was a short children’s novel I wrote one evening, called The Sleeping Train. I found an agent and a publisher at once. Sadly, I didn’t make enough money back then to live on, which is why I began to turn more to journalism and the business world.

You write contemporary women’s fiction. What made you choose for this genre?

When I left business, I decided I wanted another go at writing fiction. It took me some time to ‘discover’ my voice – but I suppose, in reality, I write what I like to read. That is, well-written books (at least, I hope they are!), with vivid characters, strong plots that drive you forward, and compelling issues. Books that reflect the world about us and not some idealized version of it, and that show women as they battle the odds at home, at work and in their relationships.

If given a chance, which fictional world would you love to live in and why?

Difficult question! My favourite author is Dorothy Dunnett, a Scottish writer who, I believe, is the best historical novelist ever. Her books are set in the 15th and 16th centuries and span Scotland, England and much of Europe. Everything is there – politics, intrigue, scandal, life from court to cottage and, of course, romance. I’d love to be a fly on the wall in some of her scenes – but whether I’d want to live there is another matter. Too dangerous, too much disease, and far too smelly!

Could you elaborate about the Heartlands series? What is it all about and why should the readers add it to their shelves?

I decided to set my first novel, Face the Wind and Fly, in a fictional town, so that no-one would be able to say, ‘But that shop isn’t there,’ or tell me you have to turn third left, not fourth … The town is called Hailesbank, and it’s set just east of Edinburgh, but in a geographical context that’s recognizable. When my book finally found a publisher, they thought The Hailesbank Series didn’t sound right and asked me to come up with another. I liked the sound of The Heartlands, and post-rationalised it! Here’s a little of the explanation that appears in each book:

“The small market town of Hailesbank is born of my imagination, as are the surrounding villages of Forgie and Stoneyford and the Council housing estate known as Summerfield, which together form The Heartlands. I have placed the area, in my mind, to the east of Scotland’s capital city, Edinburgh.

“The first mention of The Heartlands was made by AgrippusCentorius in AD77, not long after the Romans began their surge north in the hopes of conquering this savage land. ‘This is a place of great beauty,’ wrote Agrippus, ‘and its wildness has clutched my heart.’ He makes several mentions thereafter of The Heartlands. There are still signs of Roman occupation in Hailesbank, which has great transport links to the south (and England) and the north, especially to Edinburgh, and its proximity to the sea and the (real) coastal town of Musselburgh made it a great place to settle. The Georgians and Victorians began to develop the small village, its clean air and glorious views, rich farming hinterland and great transport proving highly attractive.”

I should say that the first four books in the series can be read as standalones. The next one (Mistakes We Make, due for publication next year) follows on from the current one, People We Love.

Why should readers add it to their shelves? If you like a great read, with strong storylines, characters you can engage with, set in Scotland, hopefully my books are for you!

As a seasoned writer, what are some tips that you would like to share with budding writers?

Believe in yourself. This is very hard if you are being knocked back by big publishers all the time, but have faith.

Keep writing. The more you write, the better you get.

Listen to criticism. But only from writers or readers whose views you trust. Don’t be seduced by praise from family or friends!

Push yourself. Dig deeper into your characters, cut unnecessary words or scenes ruthlessly, ensure every line pushes your plot forwards – and make sure your work is professionally edited before it goes public.

 


This was all about Jenny. You can take a look at an excerpt from her latest release – People We Love – an entire chapter by clicking on this link.

Book Excerpt: People We Love by Jenny Harper

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This is an excerpt from Jenny Harper’s latest release – People We Love. If you like it, please feel free to share your feedback here and with Jenny. You can also read her interview here.

Webpage       http://jennyharperauthor.co.uk/

Blog                http://jennyharperauthor.co.uk/

Amazon           Buy the book


Chapter One

Catalogue number 15: Child’s shoe. 16th-century? ‘Concealment shoe’. Found in rafters of agricultural worker’s cottage outside Hailesbank. Donors: Eric and Sheila Flint, Forgie. ‘Concealment shoes’ have been found concealed in wall cavities or among roof rafters of many old houses. They were thought to ward off evil.

When Jamie was alive, AlexaGordon wore hippy dresses in luminous colours and danced barefoot on the lawn at midnight.

When Jamie was alive, they ate drizzle cake and made scones heaped high with cream and jam.

When Jamie was alive, she had a future.

And then it all changed.

I don’t know what you thought you were doing,she saidsilently to her brother for the hundredth time, getting into that car that night. You might have accepted the risk for yourself. But you had no right at all to ruin everyone else’s lives.

She looked down at the bowl in front of her. Breakfast cereal stared back, sodden and limp. She pushed the dish away.

‘You must eat, Alexa dear,’ her mother Martha said, capturing a stray grey lock that was hanging in front of her face and twisting it round her fingers.

‘Don’t fuss, Mum,’ Lexie answered without thinking.

Martha bit her lip and hunched into herself as she pulled her tired-looking peach candlewick dressing gown closer round her thin frame.

Idiot, Lexie chided herself. It’s the anniversary of Jamie’s death. Think before speaking, today of all days.

The problem was that her mother’s tendency to fuss had become an obsession with her wellbeing. It was understandable, but sometimes hard to bear. Lexie looked down at her plate. She had barely touched the cereal.

‘It’s gone soggy,’ she said, trying to be conciliatory. ‘If I make toast, will you have some?’

Concern could run both ways.

She saw Martha’s mouth twitch at the corners. Whatever else she might be, her mother wasn’t stupid.

‘A little,’ Martha touched her hand lightly. ‘If you have time.’

Lexie stood up and cleared her plate from the table. Living at Fernhill again was both strange and stiflingly familiar. She was thirty years old and once believed she could build a career as an artist. Now all she had to remember this by was a tattoo round her thumb and hair the colour of a flamingo’s wings, plus a tendency to see everything in terms of how it might be captured on canvas.

Thanks for nothing, Jamie— 

‘Brown bread okay?’

‘Fine. Thank you.’

She cut two slices and pushed them into the toaster. Outside the tall sash window, the garden was blanketed in an early morning mist. In the far corner, by the pergola, she could just see the blossom on the cherry tree, delicate and wraithlike.

‘I do appreciate this, Alexa. Your being here, I mean.’

A blackbird took off from one of the branches and a small flurry of petals swirled softly towards the grass. Lexie pursed her lips. How could she fail to know this? Martha’s thanks were expressed ten times a day, their utterance a delicate trap. She was all her parents had left and she had to be there for them. This meant, she told herself, that she didnot regret marching into Patrick Mulgrew’s gallery in Edinburgh a year ago and telling him she was withdrawing her exhibition.

Even though it meant the end of their relationship as well.

Her throat swelled with unshed tears and she had to summon all her willpower to push away the hurt she still felt at their separation. Thinking about Patrick wouldn’t do any good. Instead, she retrieved the toast and rearranged her face into her customary jaunty smile before she turned round.

‘I know you do. Come on, Mum. Let’s eat. Then I must get to work. I take it Dad left early?’

She didn’t really need to ask. Where her mother was all dependence, Tom Gordon had turned into The Great Provider – strong, uncompromising and utterly resistant to any kind of conversation about his son.

Martha’s eyes glazed over.

Some family we’ve become, Lexie thought. Surely we weren’t always like this?

‘I’d better go, Mum. Dad’s called a special meeting.’

‘Please be tolerant, darling. I know he’s obsessive about the store, but it’s because he wants to show he loves us.’

‘I am tolerant. Most of the time, anyway.’

She and her father were two of a kind in many ways. They certainly both threw themselves into work as a diversion.

‘Will you be all right? What are you going to do today?’

Martha stood up. Her dressing gown hung off her body in loose, sad folds. Once she’d been a legal secretary – smart, efficient and very organised. Grief was eating her up.

‘I’m going,’ she said, ‘to do some gardening. I think.’

Lexie found the shifts in her mother’s character profoundly unsettling. And now she had to prepare to be unsettled all over again, because her walk to work would take her past Patrick Mulgrew’s house.

Ten minutes later, Lexie stepped through the front door of Fernhill and pulled it closed. It was eight thirty in the morning and she tried to leave the ache of loss behind her in the gloomy spaces that had once been filled with laughter. She tugged her old tweed jacket closer, glad of its warmth. There was no point in being bitter. It was a waste of time to think about the things that might have been.

Despite the obvious truth of this, there was no way of avoiding Patrick’s house. It took seven minutes to cover the distance between Fernhill and The Gables. Seven minutes of separation. For a brief time she and Patrick had both found it amusing that he lived in Hailesbank near her parents while she lived in Edinburgh, near his gallery. They hadn’t been together long enough to change that.

Three minutes. She reached the end of James Street and crossed onto Darnley Place. Patrick’s continued proximity was a fleabite that itched, she reminded herself, nothing more. She didn’t care about him now: she could never have sustained a relationship with Patrick because they were too different. The way she saw it, she put family first and Patrick thought only about profit. Better to find that out sooner rather than at some point in the future, when they might have become knotted together, like roots round a boulder, so that separating would tear at the fabric of life.

Six minutes. Patrick owned a smart art gallery – or, to be more precise two, one in London and one in Edinburgh. People saw him as either discriminating and astute or snobbish and arrogant. Lexie lengthened her stride. She found it impossible to forget Patrick because everything that mattered to her was so tightly entwined with him: ambition, career, and passion. Was that why she’d loved him so much? In the short time they’d been together, he’d taken her heart, her body and her brain – the complete package – and made them all his.

Seven minutes. There it was now, a million pounds’ worth of sandstone and lawn, the epitome of everything the man stood for – style, statement and substance. Crow-stepped gables, baronial turrets and an old Scots pine standing sentinel by the gate.

Lexieglanced down at the tattoo round her thumb. ‘Artbollocks’ it read – an indelible statement of belief about art and honesty.

‘Why disfigure your beautiful hands like that?’ Patrick had once asked, tracing the letters with his long fingers as they’d lain limb to limb, half drugged by ardour.

‘So that I never forget,’ she’d answered fiercely, ‘about pretentiousness.’

He’d lifted her thumb to his lips and kissed each letter, one at a time. Eleven feathery kisses.

‘You’re very different,’ he’d said, ‘but I think I might just be in love with you.’

His car wasn’t there, she noted, which was a relief. They’d learned politeness this last year, but kept their distance. Too many words had been spoken that couldnever be unsaid. Still – he didn’t know it – but  fending off the hurt she felt about their break-up was like rolling back the tide:­ impossible.

By the time she arrived at the Thomson Memorial Park, the mist was beginning to lift and the park was already alive with its quota of elderly dog-walkers and mums with buggies. She glanced right – a habit she had developed – to catch a glimpse of the river as it flowed past the foot of Fisher’s Wynd. She found the water soothing and it worked its magic again this morning because at last she was able to put Patrick firmly out of her mind and focus on Jamie. This was his day, after all, and despite her anger about his death, he’d always be a part of her.

Stay with me, bro.

When she reachedKittle’s Lane she turned right, so that she’d pass Cobbles. If Pavelwas in the shop already, she’d wave to him.

Lexie adored Cobbles. She loved the jumble of antiques Pavel seemed able to conjure up from nowhere. Each object, however humble, had a story to tell. A stone hot water bottle shivered out a tale of freezing nights in icy beds; a moustache cup in fine porcelain whispered of male vanity; a carpet beater, twisted from rattan into a Celtic knot, hinted at the hard labour that housework once was. Most of all, Lexie loved the vintage clothes that peeked tantalisingly from cubbyholes or begged for attention from serried ranks of hangers on rails at the back of the shop. She was addicted to vintage.

Half way down the lane, she spottedPavelSkonieczna sashaying out of the shop. He placed his sandwich board on the pavement and stepped back to admire it, his hands wafting up to his mouth with characteristic grace. Cobbles, read the elegant copperplate script, Antiques and Collectibles. Lexie smiled. Pavel(always dressed in vintage, always colourful) was the perfect advertisement for his own shop. Today he was smart in green tweed – his favourite suit – teamed with a mustard moleskin waistcoat and brown brogues.

She speeded up. ‘Pavel! Hi!’

Shoulders straightened and tweed turned. ‘Lexie. Darling. You’re early today.’

Lexie grimaced. ‘I know. Dad’s called a staff meeting before we open.’

Pavel shook his head. ‘You shouldn’t be working in that place. It’s not right for you.’

Spot on, Pavel. Like trying to shove a jelly through a sieve and expecting it to come out whole on the other side.

‘I know. But what can I do?’

‘Stand up for yourself. You always used to. They use you.’

‘It’s not that simple.’

She let her parents use her, because she had to. It was the only way she could think of to make things better. It was her way of helping herself as well.

‘You’re a good daughter.’

Lexie hesitated. Pavel confided recently that his partner Guy had died some years ago and he’d moved to Hailesbank to escape the sad memories. His only family now was a snake of a sister who had disowned him and, because he never talked about it, Lexie guessed how much it hurt him.

Pavel spared her the embarrassment of having to think about what to say.

‘Is it about that marketing plan?’

‘I expect so.’

She’d spent the last month working with Neil Taylor, the assistant manager at her father’s furniture store, on a plan designed to drag the old family business protesting and spluttering into the twenty-first century. Or rather, Neil had been working on it, in his careful, business-like way, and she had been attempting tomodernise the store by selecting more stylish stock and updating the layout. At least, that’s how she sawher role.Her father was proving resistant to change.

‘I’m a bit nervous, Pavel, to tell you the truth.’

‘Do you think he’ll veto it?’

Lexie shrugged and pulled her jacket across her chest. The sun might be dappling the river already, but it hadn’t dropped in on Kittle’s Lane yet.

‘You know Dad.’

Compassion glowed in Pavel’s eyes and Lexie looked away. Sympathy was always the hardest part of friendship to accept.

‘I must dash,’ she said. ‘Sorry.’

‘Good luck, darling.’

‘Thanks!’

The store where Lexie was heading was at the east end of the high street. It was part of a run of shops built in the mid-nineteenth century when Hailesbankhad been at its most prosperous. Her great-grandfather had taken up the first lease, and the sign he’d proudly commissioned to run above the entire shopfrontwas still there.

Gordon’s Furniture Emporium (Est. 1892)

The elaborate letters were painted in pure gold leaf on a forest green background and the whole sign was covered in protective glass so that, a century and a half later, it still announced its presence with undimmed glory.

‘The trouble is,’ Neil had observed when they’d studied the frontage as part of their research, ‘that sign is probably the last smart thing left in the whole place.’

He’d put his finger on the problem. Was there really any need to look further to discover why Gordon’s was struggling for survival?

Lexie pushed open the heavy oak door and marched in. A man was standing by the overstuffed chesterfield, the tartan one she particularly disliked. He was around six feet tall and strongly built, with wide shoulders and narrow hips, and he was casually dressed in a rugby shirt and jeans. One of the new guys from the removal firm, probably. She hadn’t seen him before.

Or had she? Although he was facing away from her, towards the back of the store, there was something disturbingly familiar about the figure.

‘Can I help you?’ she said, the nagging in the recesses of her brain making her voice sharper than usual. ‘We’re not actually open yet.’

He whipped round.

‘Christ! Where’d you materialise from? I didn’t hear you come in.’

Lexiewasn’t breathing. Why wasn’t she breathing? It should be simple, shouldn’t it? She did it all the time. She’d done it all her life, for heaven’s sake.

‘Cameron?’

The man stepped forward.

‘You haven’t changed a bit. Not even the hair, I ssee.’

Six years was a long time, yet it disappeared in an instant. Lexie’s lungs inflated with sweet oxygen before a sense of devastation caught the back of her knees. She was drowning in desire again, just as she always used to be. Shocked by her reaction, she forced herself to look amused – one humiliation by Cameron Forrester was enough for a lifetime.

‘Well, well, the wanderer returns. Have your folks killed the fatted calf?’

‘Nah. Mum won’t buy meat at the supermarket and the butcher’s closed since I was last here. She made apple crumble for me. I’ve missed crumble.’

His grin was just as Alexa remembered it: irrepressible. The smile faded as he scanned her face. He’d changed. Once, he would just have flashed a wink and cracked a joke; now there was something more observant – or was it more calculating? – in the way he was studying her.

‘Crumble, huh?’

The words emerged as a croak and she cleared her throat.

Cameron Forrester had been a member of the Hailesbank Hawks until injury had put him out of rugby for good. He still bore the scars: a broken nose that gave his face a lived-in look, and a scar under his chin from where a studded boot sliced it open in a hard-fought league game. ‘Badges of honour’, he used to say, when Lexie teased him about the nose or ran her fingers along the white seam of the scar.

‘You’re looking terrific.’

He took another step closer. Instinct made her edge away. How was it possible that he looked so like the Cameron she’d fallen in love with all those years ago?

‘Am I?’

Her reserve seemed to fluster him.

‘I’ve been away,’ he said needlessly. ‘Running activities for children on a cruise ship. Children! Me! Can you imagine?’

‘Not really, no.’

Questions scratched at her mind like horsehair. Does he know about Jamie? Does he know I’m back living in Hailesbank? Is that why he’s come?

‘So how are you, Lexie?’

He edged towards her for the third time. She clutched at a high-backed recliner, upholstered in gunmetal and steel blue chenille. The cloth felt coarse and unfriendly under her fingers, but this time she managed to stand her ground.

‘Why did you leave, Cameron?’

Why didn’t you write?

‘I heard about Jamie,’ he said. ‘I’m so sorry.’

‘Thank you.’

The stock response slipped out before she could stop it. It was what she always said whenever anyone offered condolences. Damn him! Using Jamie as a personal shield was unforgivable.

‘What a bloody waste,’ he blurted out.

People didn’t usually say things like that. They tiptoed round the subject, they never trampled right through the heart of it.

‘Oops,’ he said, seeing her expression, ‘Sorry. Me and my mouth. But honestly, it’s true, isn’t it? Jamie had so much going for him.’

‘Can we leave this?’

‘Shit. I’m not good at—’

Lexieswung away. She spotted a sagging cushion on a nearby sofa and grabbed it, bashing the middle to plump it up. What are you good at, Cameron? Apart from breaking hearts.

‘Did you want something? I’ve got work to do.’

‘Just to say hi. And see if you’d meet me for a drink after you’re finished here.’

Meetyou?’

‘Well,’ he muttered, dropping his head in a semblance of repentance so that all she could see was a mass of thick, sandy hair. She didn’t need to stroke it to remember how it felt.

‘I owe you an explanation.’

‘I really don’t want to hear it.’

Liar! She really didwant to hear it, but six years of hurt got in the way of admitting this.

‘No. Fair enough.’

The grin was back, but wry – another new trait. Cameron had never been one for navel-gazing. He was a physical contact man. A cheerful, generous, blunder-in-feet-first-but-in-a-well-meaning-kind-of-way man. The absolute antithesis, now that she thought about it, of Patrick Mulgrew.

‘Take your point.’

He ran his hand through his thatch so that it stood momentarily on end before tumbling, in the old way, down across his eyes again. When he turned to go, she was conscious of disappointment. At the door the grin reappeared, spiced this time with mischief.

‘It’s okay, I can see you need time to get used to me being back. It doesn’t have to be today, we can meet up tomorrow. I’ll call you.’

Infuriated by his presumption, her spirit returned and she hurled the cushion at him.

‘Don’t bother! I won’t change my—’

But it fell, softly, a yard short and the heavy oak door swung on empty air.

Six years of silence and now he was back. Where did this leave her, for heaven’s sake?